|
Home >> Link of New
Page
You benefit the blues society of Western
PA when you click through on these CDs and buy.
If you have sugestions for other CDs please send them in.
webmaster@bswpa.org
|
Digitally remixed and remastered
2 disc Legacy Edition of the Grammy Award winning album
Muddy ''Mississippi'' Waters Live. The original recording
was produced by legendary guitarist Johnny Winter, who
also plays and performs on the album. All tracks on disc
2 - Muddy ''Mississippi'' Waters Live at Harry Hopes -
are live recordings of Muddy and his band never before
available, 'Medley-After Hours/Stormy Monday Blues', 'Trouble
No More', 'Champagne & Reefer', 'Corrina, Corrina',
'Hoochie Coochie Man', 'She Moves Me', 'Kansas City',
'Pinetop's Boogie Woogie', 'Mad Love (I Want You To Love
Me)', 'Everything's Gonna Be Alright' & 'Got My Mojo
Working'. 2-CD deluxe digipak with customized slipcase
features original artwork plus additional track information
and rare photos. 18 tracks. Legacy. 2003. |
|
|
|
I'm Ready, the
second of Muddy Waters' recordings for Columbia's Blue
Sky imprint, like its predecessor was produced by Johnny
Winter, who also guests on guitar here. |
|
|
|
It's a testament
to Muddy Waters's consistency of vision that the final
chapter in his career was such a triumphant one. His last
four albums, all produced by guitarist/acolyte Johnny
Winter, were a ferocious return to form, boasting all
the stark, primal power of his strongest Chess sessions.
KING BEE, Muddy's final album and only '80s recording,
might just as easily have been cut in the '50s, judging
from the Chicago blues master's energy level and the band's
earthy, visceral attack. |
|
|
|
B.B. King has
long been known as a road warrior who regularly plays
over 300 dates a year. One of his most noted and unusual
gigs, LIVE AT COOK COUNTY JAIL, occurred on September
10, 1970. Performing before 2,117 inmates with minimum
security, King took his "captive audience" through
a set peppered with staples of his impressive canon. Backed
by a punchy horn section and peppering the set with his
trademark quick licks, King immediately won over the audience.
Of course, one of the most enduring facets of a live B.B.
King show is the neighborly relationship he quickly establishes
with whoever might make up his audience. The nearly 10-minute
version of "Worry, Worry, Worry" finds the King
Of The Blues discussing relationships and matters of the
heart whereas "Sweet Sixteen" and the medley
of "3 O'Clock Blues" and "Darlin' You Know
I Love You," are a spoken mini-tour of his early
catalog. |
|
|
|