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by Tom Watson.
Zack Wiesinger opening for Steve Vai in Porto,
Portugal, July 9, 2007. Photo by Tom Watson.
The summer of 2007 has certainly proved memorable
for 20-year-old guitarist Zack Wiesinger. On June 16, Zack
performed in the Guitar Center King of the Blues (article
1, article 2) competition as one of four finalists out of
an initial field of over 4,000 competitors. While Wiesinger
didn't capture the crown, he walked away with several new
guitars, a laptop computer, other prizes from the competition,
and very little time to worry about the outcome. Eight days
later, Zack was on stage in Luxomberg as the opening act for
Steve Vai's Sound Theories Tour of Europe.
Wiesinger had been working for Vai as a personal
assistant for several months prior to the King of the Blues
(KOTB) finals and kept the boss apprised of his progress through
the various stages of the competition. It was after he explained
to Vai that at both the district and regional levels he had
won a tie breaker after playing two minutes of unaccompanied
electric guitar that Zack was offered the opening act slot
for Vai's Sound Theories Tour. For 20-30 minutes, Wiesinger
would take the stage with only his trusty 1979 Fender 25th
Anniversary Stratocaster to entertain Vai fans with his own
brand of guitar playing.
On July 9, 2007, the Sound Theories Tour performed
in Porto, Portugal, at the city's premiere indoor venue, Casa
de Musica. Backstage before the show, the tall and lanky Wiesinger
sprawls on a couch and smiles about his tour experience to-date.
Not only is this Zack's first tour of Europe, it's the first
time he's visited the continent and he's doing his best to
make the most of the opportunity. Today, he walked the five
kilometers from downtown Porto to where the city meets the
Douro River and the Atlantic Ocean, visiting small shops along
the way, after sleeping on the tour bus trek from Spain to
Portugal. That he's having the time of his life is obvious.
If he's nervous, it's undetectable.
Twenty minutes later, the house lights go down
and a single beam follows Zack's stage entrance. His saunter
and body language are reminiscent of a young Jim Carey. He
gives the crowd a serious look, then suddenly breaks into
a wide grin and a multi-part fingerpicking rendition of the
James Bond theme. 007 is followed by "Stompin' On My
Fingers", "Fran Tarkenton" (including audience
participation), "Intent" (a slow song), "Melty
Melody Madness" (with slide), the Munsters theme song,
and, as Zack puts it, "some blues".
It would be a safe bet that a good portion of
the sold out house consisted of guitar players expecting an
opening act shred-fest dazzle, but Wiesinger's fingerpicking
style has more to do with goodhearted general entertainment
than impressing fellow players. There are some serious moments,
but Zack's performance is generally pickin' and grinnin'.
The audience adores Wiesinger's emphasis on fun and his lack
of pretension. This isn't about being a player, it's about
standing up alone and using the guitar to entertain a crowd
that paid 30 € each to come out on a Monday night to
hear one of the most highly regarded electric guitarists in
the world, Steve Vai. Mission accomplished.
Vai's Sound Theories Tour is in support of the
recently released Sound Theories Vol. I & II CDs featuring
Vai and the Netherlands Metropole Orchestra. Volume I presents
Vai performing with the orchestra, while Volume II consists
of the orchestra playing tunes written by Vai. The orchestral
nature of Sound Theories accounts for the presence of two
violinists in the touring band's lineup, Alex De Pue and Ann
Marie Calhoun, both of whom double on keyboards. The other
band members are Jeremy Colson (drums and percussion), Bryan
Beller (bass), and, Dave Weiner (guitar). Much more information
about the CDs and the current tour, including numerous detailed
fan reviews, is available on both the official Steve Vai and
Bryan Beller websites (links below).


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